One Vowel Away From The Truth

Once we’d seen in the New Year my thoughts immediately turned to making a new record. This would be the third Groovy Uncle album project after “Play Something We Know!” and Suzi Chunk’s “Girl From The Neck Down”. Both had been very well received (particularly the latter) though they are very different from each other and this got me thinking it might be interesting to make the new album a mix of the two – a bona fide Unc’n’Chunk record. I already had the songs written and knew which were Suzi’s and which were mine plus a couple to duet and once again I wanted to include one or two instruments and musicians I hadn’t worked with before. On the track “Consider It Done” for example, jazz musician Roan Kearsey-Lawson did some beautiful vibe playing which became the icing on the (already lovely) cake and he did it in one take! It took much longer to dismantle and reassemble the instrument than it did to mic it up and record but was well worth the effort. Roan also brought along a set of late 19th century tubular bells which added a nice touch to “Human Scaffold”.

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A few months ago I demoed a song called “When I Saw Love” (which can be heard on Suzi’s Soundcloud site) and thought it needed handling in a Beatles-esque, “For No-One” style. Jon Barker does some fine harpsichord type keyboard work on it but I knew I had to find a French horn player. Via the magic of Facebook I was put in touch with Neil Mitchell, a classical orchestral player who was more than happy to be involved as this was to be his first solo on a recording. We worked together on the arrangement and his playing is majestic. It gives the song a melancholic yet uplifting quality which no other instrument could have achieved. Joining us once again is John Littlefair providing the horn section on “Must Have” and “It’s Not Like Me”. Always a pleasure to work with Mr L and I love his playing on these tracks. 
A number of songs this time feature the trumpet playing of John Whitaker (he of Stuart Turner and the Flat Earth Society among others) and I think his contributions really lift songs such as “Neptune Girl”, “Me And My Fair Weather Friend” and “Human Scaffold”. I’m particularly pleased former Singing Loins mandolin player Rob Shepherd agreed to work out a part for “November”. I’ve always been a big fan of the Loins and I like what he does here as it takes the GU sound to another place entirely. Peter White joins us again for some nifty keyboard work on “The Money Shot”.

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Of course Bruce Brand, Nick Rice, Mole, Marty Ratcliffe Suzi Chunk and myself contributed a fair amount to the project too but more about that and other stuff later. The album is called “One Vowel Away From The Truth”  and we’ll be mixing it next month (July). Thanks to all involved.

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